COVID-19 info for November 2022: Orders are being fulfilled on schedule. We've permanently discontinued in-store pickups; we now offer domestic free expedited shipping on art prints, free freight shipping on oil paintings, and free shipping on magazines. Please contact us to arrange international shipping or if your domestic delivery appears delayed.


Al Young Studios Newsroom


A panel-support accessory for $10 easel

By
When we received a commission to paint two fairly large, horizontal landscape paintings for the renovation of the Stein Eriksen Lodge Deer Valley conference center renovation, I decided to construct a framework that could be clamped, horizontally, to the $10 easel and provide backing for the panels while I worked on them.  I might have painted the two landscapes on the landscape easel, but glare is a perennial problem with that easel and I needed it as a drying rack so that I could work on both paintings simultaneously.

Upon finishing the framework, I chose to store it under the studio loft by suspending the framework from the ceiling there.  Suspension involved simply the installation of eye-screws mounted into the ceiling, corresponding eye-screws mounted into the edges of the framework, and then hooking the ends of a metal S-hook through each set of eye-screws.

When it came time to start the brushwork on the two paintings, I discovered that the $10 easel was wide enough to fully support the panel size; that I really didn't need a framework, but by then I wouldn't have wanted to even think of doing without the ceiling-mounted framework.  I used it to clamp light fixtures anywhere I wanted, to run electrical cords up and out of the way of the work area, and to temporarily clamp other things for storage.  It even baffled the harsh light from the fixture-cans mounted into the ceiling.  And, besides, I liked the way it looked.

The framework played no other role in the project that precipitated it.  I often find that when I receive a creative prompting and act on it, I also tend to form expectations, justifications, and other ideas about it.  To do so is very dangerous.  I find that my ideas about such things are as likely as not to simply be wrong.

Of course, if I ever need to paint a really wide painting, I'm ready.

The framework hangs from the ceiling under the studio loft.  Den Kommende Vinteren is on the $10 easel, just off to the left of the photograph.  Den Kommende VĂ¥ren rests on the landscape easel at the right of the photo.

Visit us on Pinterest to see more photos of this and other stages of the
Stein Eriksen Lodge Deer Valley conference center project.
Visit our table of contents page for
The Stein Eriksen Lodge Deer Valley
Conference Center Project

Tags: 2013, Inspiration and creativity, Tools supplies and operations

Browse articles by year: 2022 . 2021 . 2020 . 2019 . 2018 . 2017 . 2016 . 2015 . 2014 . 2013 . 2012 . 2011 . 2010 . 2009 . 2008 . 2007 . 2006 . 2005 . 2004 . 2003 . 2002 . 2001 . 2000 . 1999 . 1998 . 1997 . 1996
Browse articles by topic: Art lessons . BenHaven Archives . Blank art diaries . Fine art photography . Framing . Illustration . Inspiration and creativity . Isles of Rune . Limited Editions Collection . My Fathers Captivity . News . Novellas . Oil paintings and prints . Operations announcements . Orders and shipping . Overview . Portfolios . The Papers of Seymore Wainscott . Project commentaries . Recipes by Nancy Young . Recommended reading . Recommended viewing . Temple artworks . The Storybook Home Journal . Tips and techniques . Tools supplies and operations