Original lithograph by Ashton Young, hand-printed by Wayne Kimball. Companion print to The Country of the Pointed Firs by Sarah Orne Jewett. The original image was drawn on a single Bavarian limestone and printed in two colors (black and beige ink) on German etching (cream) paper. Made & Printed in the USA. Categories: Ashton Young, Limited Edition Print Collection 10, Lithograph, Sarah Orne Jewett, The Country of the Pointed Firs & Trees
Ships to US (including APO, FPO & DPO) and Worldwide. Economy, Priority, & Local pickup shipping options are available at checkout.In Stock Now - Product ships in 1 to 3 days (Serial No. 3.30.0005.001)
By Al R. Young
We have framed our own artworks for more than 25 years, and during that time we have provided a variety of framing services to patrons upon request. For various reasons--including constant change in the availability of moulding styles--we cannot offer off-the-shelf framing options or response times typically associated with such a service. Of necessity, all of our framing projects are custom projects that are priced, completed, and billed accordingly. For example, inasmuch as the Studios does not maintain a selection of off-the-shelf moulding options, moulding styles actually available at the time of a request for information about framing options must be researched... Read more »
By Al R. Young
When I began experimenting with lithography in 1996, I focused on tonal rendering instead of line drawing because tonal pencil drawings had occupied much of my attention as an artist up until that time.
The work of artists whose interests draw them toward line as a means of expression has always delighted me, but my own interests invariably drew me toward tone instead. I came to realize that were I to pursue line, I would have to study idiom and technique before I could express the subject; indeed, before I could even discover my own artistic identity in terms of line and then complete the long and arduous journey toward mastery... Read more »
By Al R. Young The Limited Edition Collection consists of 66 artworks hand drawn as lithographic images by Al R. Young and Ashton Young, respectively. These finely crafted miniatures were then printed in collaboration with artist and master printer Wayne Kimball.
The process by which these artworks were produced, including the documentation of their creation, make them collectible in the finest tradition of original, signed, numbered, and limited-edition fine art prints.
Links to the following editions take you to the documentation and commentary for the edition as well as the commercial product page for each artwork in the edition... Read more »
By Al R. Young Limited-edition Print Documentation
1999 November 19
The key image(s) for this edition (these editions) of original lithographs (was) were hand-drawn by the artist on a single Bavarian limestone. The beige colored flats were made on an aluminum plate by the printer. Processing, proofing, printing, and all curatorial work were done by hand by Wayne Kimball in Pleasant Grove, Utah. Trial proofing took place in November 1999.
This edition (these editions) of original lithographs is (are) comprised only of the impressions enumerated in the following table... Read more »
By Al R. Young
The following photographs summarize the lithographic printing process by which Al R. Young and W. Wayne Kimball collaborated to produce 55 of the limited edition prints available from Al Young Studios. Wayne also collaborated with Ashton Young to produce a limited-edition of prints in 1999.
Limestone slabs, quarried in Bavaria, serve as the printing element, placed in the press bed, from which the prints were made. Each stone weighs approximately 100 lb., is 3 in. thick, and has a drawing surface measuring 16 in... Read more »