The key image(s) for this edition (these editions) of original lithographs was(were) hand-drawn by the artist on a single Bavarian limestone. The beige colored flats were made on an aluminum plate by the printer. Processing, proofing, printing, and all curatorial work were done by hand by Wayne Kimball of Pleasant Grove, Utah. Trial proofing and edition printing took place in November 1999.

This edition (these editions) of lithographs is(are) comprised only of the impressions enumerated in the following table. All other impressions have been destroyed. Each impression of each image is hand-signed, titled, dated (year), and numbered or proof-designated by the artist. The printer’s chop is embossed into the lower right-hand corner of each paper whose margin is of sufficient size. The images on the stone and plate have been effaced in such a way as to render them unprintable in a similar state to that accounted for in this document.

Paper	German Etching Paper (except for four trial proofs on BFK Rives gray)
Paper size	11 in. x 15 in. (torn, after printing, to sizes noted in table )
Image size	As noted in table
Printing elements	2 (one aluminum plate, and one Bavarian limestone)
Number of printing runs	2
Number of colors	One or two, as noted in table

Title	Chop	Paper Size (inches)	Image size (inches)	Colors	TP	BAT	Arabic	AP	WP
Black Island	yes	4 25/32 x 3 5/8	2 3/4 x 1 13/16	2	8	1	50	7	2
Bonnie Belle	no	2 1/32 x 3 11/16	1 1/32 x 2 3/4	2	8	1	50	0	1
Broek	no	2 5/16 x 5 1/2	1 1/2 x 4 13/16	1	8	1	50	1	2
Butternut Center	yes	3 15/32 x 3 11/16	1 15/16 x 2 9/32	2	8	1	50	6	2
Captain Jim’s	no	2 1/32 x 2 9/16	15/16 x 1 9/16	2	8	1	50	5	2
Green Island	no	4 25/32 x 3 1/4	3 9/16 x 2 5/32	2	8	1	50	4	2
Lock Willow	no	2 9/16 x 2	1 3/8 x 1 1/32	2	8	1	50	7	2
Marsh End	no	2 1/2 x 5 1/2	1 7/8 x 5	1	8	1	50	1	2
Mist	yes	5 1/2 x 7 29/32	3 3/8 x 5 7/8	2	8	1	50	4	2
Murmuring Lake	yes	2 15/16 x 4 1/32	1 1/4 x 2 9/16	2	8	1	50	6	2
The Unnamed	yes	4 25/32 x 4 1/8	3 x 2 13/32	2	8	1	50	6	2